Played by the gate at the foot of the garden, My view
Stretches out from the fence to the wall, No words
could explain, no actions Determine,
Just watching the trees and the leaves as They Fall.
"The Eternal" - Joy Division
"Nothing Personal" is the kind of movie that at once rarely penetrates to a wider audience. Today's movies have become accustomed us that is full of exclamation points. The film is dominated by Urszula Antoniak and ellipses, pause and question marks. A lot unsaid here, musings. There are no sudden twists and turns. The story is conducted in such a way that even a smile for the first character (who appears in almost half of the film) is something magical and penetrating to the depths. Such subtleties of film captivates almost from first to last scene. As already mentioned, in a vain search for Hollywood's momentum here - everything is rather between words, the more significant since the dialogue characters (which, moreover, is thin on the ground) is their silence. The film shows a process of discovery by Anne his true "I" that is probably lost in some corner of life. Initially wounded, distrustful, looking for ("loneliness"), but it manages to break through, open, and forget ("end connection"), which allows her to find a new way of life ("marriage"), which leads her to find a place on the ground and relief. ("Top view"). Relief, which, however, turns out to be temporary, since the fate-in the end-condemned for being a heroine (maybe century), a wanderer in the world who do not have anything personal ("lonely"). Image very poignant, that in spite of very modest means of expression is impressive and does not leave indifferent.
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