Wednesday, April 6, 2011
Wreaked Airplane For Sale
Invoice:
1.sposób coordination of melody and harmony.
2.charakterystyczne surface features Item.
If you would like to talk about the texture of music, the more obvious of the two aforementioned definitions may seem to be the first one. I had to take on the first workshop of a better track, looking through the prism of its natural instrumental polyphony, actually refer to the first definition would be the most accurate. More and more often, however, give up music partially or completely from the musical paradigms of melody, harmony and rhythm, to noise, arrhythmia and dissonance. In this case, refer to the first definition, although it is also true - after all, noise in the song can coexist on the same footing as any other sound by creating a texture (defined as the timing of sounds is) - seems to be somewhat less relevant. This fact illustrates very well (or if you will - unausznia) akuzmatyczna creativity Christian Fennesz. Recently listened with attention to little "Venice" and still remained with me the impression that the ideal concept through which you can describe this CD is just the texture. Invoice understood as a characteristic of the surface d wi ę k ¼ u sound as we know, surface itself is not. The problem is that the wording of the "Venice" and flirting is not too much either the melody or rhythm, and rarely with any harmony. It is therefore difficult to determine the texture of the classic musical sense. Listening to each song but you can come to the conclusion that the music has been blessed with here is an attribute of the "second" invoice. Coming from the speakers because of roughness, surface roughness, sometimes metallic smoothness, various kinds of noises, creaks and scratching. All set in a sleepy, dronowym bass. A stretch of reality. One infinity. Spatial impressionistic landscapes without contours.
Publisher listener requires some attention and concentration, which are rewarded in the head repainted countless images emerging from the (only) the apparent bustle sounds. Derogations from the textural nature of the disc are "Transit" - here is the exception, however, only partial, since the melodic vocals in the background you hear a familiar noise - and guitar "Laguna", which clearly provides an exception confirming the rule.
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